{"id":3641,"date":"2018-06-09T09:59:58","date_gmt":"2018-06-09T13:59:58","guid":{"rendered":"https:\/\/practicalmattersjournal.ecdsdev.org\/?p=3641"},"modified":"2018-09-12T16:25:54","modified_gmt":"2018-09-12T20:25:54","slug":"decentered-vision-of-diaspora-space","status":"publish","type":"post","link":"https:\/\/pmcleanup.ecdsdev.org\/2018\/06\/09\/decentered-vision-of-diaspora-space\/","title":{"rendered":"The Decentered Vision of Diaspora Space: Theological Ethnography, Migration, and the Pilgrim Church"},"content":{"rendered":"
In this article, I examine the decentered vision of diaspora space that emerges from the encounters with difference present in theological ethnography, the migrant experience, and the pilgrim Church. I first argue for how crossing borders, both cultural and disciplinary, places a researcher in the intersectional power matrix of diaspora space. Second, I explore how this displacement contributes to a distinct pluralistic epistemology that invites a researcher to gain a methodological glimpse of what migrants experience existentially. Finally, I explore how the vulnerability of this decentered epistemology reveals that the Christian church is also a diaspora space, especially through a rediscovery of its own identity as a pilgrim people of \u201cThe Way.\u201d By learning from the methodological insights of theological ethnography and the existential condition of migrants, the church too can become conscious of its own decentered position in the \u201calready, but not yet.\u201d<\/em><\/p>\n \u201c \u2026you can be an immigrant without risking your lives<\/em> Featuring rappers K’naan (Somali-Canadian), Snow Tha Product (Mexican-American), Riz MC (British-Pakistani), and Residente (Puerto Rican), these lyrics from The Hamilton Mixtape <\/em>are inspired by the Broadway musical\u2019s show-stopping line, \u201cImmigrants, we get the job done!\u201d Released in December 2016 amid contentious national debates on border walls and travel bans, this song speaks for those who are often misrepresented or excluded by socio-political discourse in the US. The lyrics intentionally weave together the histories and experiences of different immigrant communities to reveal their plight in their own words. Describing the consequences of Western imperialism and military interventionism, this song explores how histories of the West were already entangled with those of various peoples long before the contemporary migration crisis.<\/p>\n By drawing on a multiplicity of overlapping immigrant histories, the necessity of this song for the current socio-political context reflects what sociologist Avtar Brah theorizes as diaspora space<\/em>. She argues that<\/p>\n diaspora space<\/em>, as distinct from diaspora, foregrounds what I have called the \u2018entanglement of the genealogies of dispersal<\/em>\u2019 with those of \u2018staying put\u2019.<\/em> Here, politics of location, of being situated and positioned, derive from a simultaneity of diasporisation and rootedness. The concept of diaspora space decentres the subject position of \u2018native\u2019, \u2018immigrant\u2019, \u2018migrant\u2019, the in\/outsider, in such a way that diasporian is as much a native and the native now becomes a diasporian through this entanglement.[2]<\/a><\/p><\/blockquote>\n Brah\u2019s theoretical conception of diaspora space<\/em> resonates with the song\u2019s opening lyrics, which claim that this decentered worldview is not reserved only for those who risk their lives to cross national borders. \u201cNatives\u201d of the dominant culture are also called to \u201csee the world with new eyes\u201d by recognizing, as Brah argues, that they are already entangled with immigrant narratives through a shared geographic and imaginative space. Consciousness of entanglement decenters assumptions of the givenness of national narratives and opens a space for negotiation and dialogue. This article, therefore, examines the possibilities of the decentered vision of diaspora space<\/em> through the encounters with difference present in theological ethnography, the migrant experience, and the pilgrim Church.<\/p>\n I first argue for how crossing borders, both cultural and disciplinary, places a researcher in a diaspora space<\/em>. I analyze this claim by examining my experience of fieldwork with the Ethiopian and Eritrean migrants of the Ge\u2019ez Catholic community in Boston. This encounter with difference challenged my subjectivity as a researcher as I negotiated how and where to locate myself within a matrix of intersectional power. Second, I explore how the experience of displacement contributes to a distinct pluralistic epistemology that is reflected both in the experience of migration and theological ethnography. Engaging in fieldwork has the capacity to decenter a researcher\u2019s vision by inviting her to experience methodologically what migrants experience existentially. While an inherent power differential regarding agency and choice prevents any simplistic equation of the two, both reflect an epistemology dependent on discovery, not verification. Christian Scharen and Aana Marie Vigen go further by claiming that theological ethnography is not just a methodological tool, but an expression of Christian ethics and theology itself. In the process of fieldwork, \u201cthere can be something redemptive \u2013 and healing \u2013 about being displaced through ethnographic study.\u201d[3]<\/a> This possibility of redemptive healing is linked to a more profound awareness of what it means to live within the vulnerable uncertainty between centers of power, without rushing to closure. Finally, I explore how the vulnerability of this decentered epistemology provides insights for the Christian church as a diaspora space<\/em>, especially through a rediscovery of its own identity as a pilgrim people of \u201cThe Way.\u201d By learning from the existential condition of migrants and the methodological insights of theological ethnography, the church too can become conscious of its own decentered position in the \u201calready, but not yet.\u201d<\/p>\n Built right after the Civil War, the towering neo-Gothic facade of Holy Cross Cathedral gleamed against the Boston sky. I entered from one of the many side doors near the main altar and walked down the long nave. Passing pews that could easily seat up to two thousand people, I recalled images of the interfaith service held after the Boston marathon bombing a few years earlier. Honoring the victims of the attack, President Barack Obama stood at the altar and reminded the nation that Boston is<\/p>\n one of the world\u2019s great cities. And one of the reasons the world knows Boston so well is that Boston opens its heart to the world. Over successive generations, you\u2019ve welcomed again and again new arrivals to our shores — immigrants who constantly reinvigorated this city and this commonwealth and our nation.[4]<\/a><\/p><\/blockquote>\n
\n\n
\nOr crossing these borders with thrifty supplies<\/em>
\nAll you got to do is see the world with new eyes\u2026\u201d <\/em>[1]<\/a><\/strong><\/p>\n<\/blockquote>\nThe Entanglement of Difference: <\/strong>Crossing Borders in Diaspora Space<\/em> <\/strong><\/h3>\n